Product: Dora the Explorer - Animal Adventures
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This is one of the few Dora DVDs with a Spanish language track (oddly) . It’s the same voices as the Spanish version of Dora on TV, so our kids are definitely bent! (Twins, bilingual boys)

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There is lots of Diego on this DVD - and he does curious talking to the animal stuff (might be better in English) .

Overall, favorable stuff

Even though I haven’t seen this before, this is an fabulous DVD. My accepted fraction was when Dora and Boots saved Diego. At first, I didn’t know why Diego was is distress. But now, I know why he was in peril. This DVD was so surprising. I like Dora the Explorer.
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Movie Title: Roseanne - The Complete Fourth Season
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Roseanne - The Complete Fourth Season is available for streaming or downloading.

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Season four is the 1991-92 season that won Laurie Metcalf her first of three consecutive EMMY Awards as Best Supporting Comedic Actress. (Roseanne would finally win her only Best Actress-Comedy EMMY for season five; and John Goodman–shockingly–never won an EMMY for playing Dan Connor altho he was nominated seven years in a row!).

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FINALLY, for this fourth season set, there are at last commentaries by Roseanne! And even better, they are video-commentaries, which means you actually watch Roseanne live on the right-side of your TV screen as she watches and comments on the episode playing on the (larger) left side of your screen. The two episodes she comments on are TRICK ME UP TRICK ME DOWN (that season’s Halloween episode, which also marked the final appearance of George Clooney as Booker–and Roseanne has some great, sharp comments on the fact that her series’s writers didn’t appreciate Clooney the way she did) and THANKSGIVING ‘91 (with guests Shelley WInters and Estelle Parsons). These are wonderful commentaries, very funny, very honest and Roseanne’s comments are aided by some pop-up blurbs at the bottom of the screen that sometimes corrects or elaborates on something Roseanne has said. (For instance, Roseanne says Shelley Winters wasnt too happy about playing Parson’s mother because she was only a few years older than Parsons. The pop-up track tells us that WInters was seven years older than Parsons.)

The second extra is a brief on-camera interview with Roseanne about the show. It’s spirited and fun and filled with clips. The final extra is called “A Grown-Up Sit Down Interview with “an Adult” Becky and D.J. It’s merely a condensed and reedited compilation of the interview Michael Fishman did for the season two set and the interview Lecky Goranson did for the season three set. It offers no new material and is just a rehash of previously seen footage.

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Even thought Roseanne ends each commentary track with the same statement of “Am I done?”, I hope that the next sets have even more video commentaries. This is a terrific DVD set.

Seems like Amazon didn’t take the time to list the episode titles for us, so I’ll take a crack at it. “BOO!”, being the most dimented and memorable episode for me & my sister, wins the title spot for my “review”. p.s. Most TV shows can be found on imdb.com, though beware of occasional glitches in the descriptions (mainly die-hard fans notice these errors and are able to report them for correction).

“Inherit the Wind” - Becky “lays down the law” in front of the whole student council, including the boy she has a date with that night, Jimmy Meltrigger.

“Little Sister” - Jackie defends her decision to enroll in the police academy.

“Guilt by Disassociation” - Roseanne gets a job “psych” when the job offer she thought she had is quickly revoked because she lacks computer skills.

“Somebody Stole My Gal” - While doing some office work at Dan’s construction site, Roseanne impresses the architect who turns out to be a needy, yet generous loner latching onto the Conner family.

“House of Grown-Ups” - Jackie prepares for 6 weeks at the police academy while Becky takes Darlene - or shall I say Vivienne - to her first co-ed party.

“Five of a Kind” - Arnie plants a kiss on Roseanne leaving her to wonder what it could mean.

“BOO!” - DJ welcomes trick-or-treaters to the Conner’s “tunnel of terror”, while Dan and Roseanne try to “out trick” each other.

“Sweet Dreams” - Roseanne’s first attempt at a fantasy episode as she tries to get a few minutes of peace in the tub.

“We Gather Together” - Another dysfunctional Thanksgiving on Delaware St. as Roseanne tries to find a way to tell her parents she prefers they stay at a motel.

“Brain-Dead Poets Society” - Darlene’s insightful poem brings Roseanne and Jackie to tears at the middle school’s talent night.

“Lobocop” - Roseanne’s 2nd job as a Lobo bartender takes a toll on her lovelife until Dan comes in & picks her up.

“No Talking” - Classic teen daughter/mom rivalry with a little “good cop (Dan), bad cop (Roseanne) mixed in.

“Chicken Hearts” - Roseanne finds herself cow-towing to her teenaged boss (the “little maggot̶ in order to get weekends off.

“One for the Road” - When the folks are away…Becky plays bartender for her friend, mixing up a recipe for two wicked hangovers.

“An Officer and a Gentleman” - With Roseanne out of town, Jackie steps in to help Dan with the kids. Shades of “Leave it to Beaver”…(a la Roseanne, of course)

“Born to be Wild” - Dan & Roseanne’s old buddy Ziggy rides into town, bringing nostalgia, revealing Dan’s nickname, and restoring Dan’s hog to its former glory.

“Hair” - Roseanne takes a job in a hair salon full of characters including the owner of the factory most of the town once worked in.

“I’m Hungry” - Tempted by Mallomars and Bucky Burger commercials, Roseanne diets to get her pants to fit better.

“All of Me” - Jackie is crazy about her new man, but Roseanne is worried that she’s losing herself in the deal.

“To Tell the Truth” - Dan convinces Jackie to make up with Roseanne but on her way over to apologize, she gets a proposition from Gary.

“Fender Bender” - Roseanne’s feelings are hurt as well as her neck when Mrs. Wellman rear-ends her and doesn’t apologize until she is threatened by the Conner’s lawsuit.

“April Fool’s Day” - The procrastinating “Wagners” must go down to the IRS office on April 15th to ask a question about their return.

“Fathers and Daughters” - To prove they relate to both children equally, Roseanne bonds with Darlene while Dan takes Becky to the mall.

“Happy Birthday” - Missing her creative side, Roseanne gets a great gift from Dan - the basement is converted into her own private writing studio.
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]]> http://katharine353488.blogrunde.eu/2010/03/04/roseanne-the-complete-fourth-season-movie-streaming/feed/ http://katharine353488.blogrunde.eu/2010/03/03/buy-quatermass/ http://katharine353488.blogrunde.eu/2010/03/03/buy-quatermass/#comments Tue, 02 Mar 2010 22:07:06 +0000 katharine353488 Nicht kategorisiert http://katharine353488.blogrunde.eu/2010/03/03/buy-quatermass/ Buy Quatermass.

Product: Quatermass
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“The Quatermass Conclusion” is the fourth movie-length installment in the long-lived “Professor Quatermass” series of films, the first of which appeared fifty years ago with Brian Donlevy in the title role. That was “The Creeping Unknown,” which remains scary even after the sunless jading of our collective special-effects appetite. Donlevy reprised the Quatermass character in the 1958 sequel, known in the United States as “The Enemy from Station.” Andrew Keir took over for the 1967 “Quatermass and the Pit,” called “Five Million Years to Earth” for transatlantic audiences. It wasn’t until 1979 that screenwriter Nigel Kneale managed to pick up a fourth Quatermass yarn on film, this time as a BBC “mini-series” in four parts featuring John Mills as a by now old-fashioned protagonist. This is conceptually the most ambitious of the Quatermass stories: Kneale sets it in a world afflicted everywhere by social and economic collapse and - this is a key element in the unfolding sage - the withdrawal of young people, especially adolescents, from all communal ties. The landscape swarms with packs of juvenile “Spot People,” as they call themselves, dressed in flower-child fashion awaiting their deliverance to a paradise planet. They absorb that their redemption will occur at the obsolete megalithic sites and it is to these that they gravitate. Redemption it is not. Quatermass, coming to London from the countryside to behold a lost grandchild and drawn into the investigation of events, theorizes about “the harvesting of mankind.” He is aided by an astrophysicist played by Simon McCorkindale, whom many viewers will discover as a mask presence of the time. This is the most apocalyptic of the Quatermass stories, more so even than “Quatermass and the Pit,” with its mass revival of faded Martian “hasten memories” in the human population of London, and with its subsequent enraged “cleansing of the Martian hives.” The images of British society - and by implication all societies all over the world - in its material and correct downward-spiral are stark and disturbing. A few scenes of a near-earth region location and of a situation shuttle in distant orbit are unnecessary in that they study toy-like and detract from rather than add to the verisimilitude of the production, but this is quibbling. The atmosphere over the four hours of the memoir becomes increasingly desperate and grim. Critical equipment breaks down and is irreparable; key people die in riots. The climax smacks of the nihilism that I associate with the 1970s, but it could be interpreted as throwing Quatermass into the role of redeemer, complete with martyric self-sacrifice. A brief epilogue seems tacked on, as though the producers could not glean the uncompromising final scene of Kneale’s script - but it does allow for some détente, which might be needed in the moment. Recommended for its far-above-average intelligence: “The Quatermass Conclusion” refreshingly does away with the hoary cliché that the young, and only the young, can establish the world.

If your are familiar with the classic Quatermass films of passe and you haven’t heard of this one, then let me enjoy you in. I don’t want to give too noteworthy of the storyline away so I’ll try not to spoil it for you. The author of all the Quatermass films, Nigel Kneale had written this to be the follow up to Quatermass And The Pit - he was commissioned by the by the BBC (world eminent UK channel) to do it on the serve of that film’s success. After reading the script, the BBC decided that it would be too expensive to accomplish and so it was abandoned. However, in the wake of Conclude Encounters and Star Wars in 1977,the sci fi genre was wait on in fashion and Euston Films (English film company) effect the money up - one and a half million pounds. That was a lot of money in 1978. Don’t trouble, the director Piers Haggard did an safe job. John Mills, cast as ageing Professor Quatermass,is valid. The record is position in a world years from ‘78, say unhurried 90’s and civilisation around the globe is collapsing. The United Kingom has been reduced to a kind of civil war Yugoslovia. America is in a complete mess and so is the whole world for that matter. Gangs of killers slither the the abandoned inner cities. Fuel and food shortages have become the norm and in the countryside, bands of mystics calling themselves the Planet People paddle round chanting their crazed view that they will soon leave this sick world. Out of all this chaos, Quatermass arrives in London to appear as a TV guest on a unhurried night NASA programme. It’s being broadcast on the last operating TV spot in the country. As they link up to a live satelitte plan of the fresh American-Soviet place position, all hell brakes loose when it dissintegrates before their eyes and all astronuats are lost. The interrogate is - why did this happen? Suddenly, things net more mysterious when thousands of Planet People around the world initiate to dissappear after converging on faded megalith sites.

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This video situation is a four hour memoir that will have you gripped on the edge of your seat. It remains suprisingly undated in an era of cellnet phones, internet and consumerism. I could imagine Nigel Kneale writing stories for Star Walk (top-notch as it is already) . Select this and blow your mind. The Planet People serene haunt my dreams with their chant of “Leh!Leh!Leh!Leh!Leh!Leh…”
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Product: Holiday
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There was a gargantuan controversy earlier this year with “The Cary Grant Box Residence” which is a tremendous collection in its occupy apt. Many people were upset that it included the first release of “Holiday” which was original to DVD (unlike the other films in the collection), but no stand alone disc was being offered. Well, kindly news. If all you wanted was “Holiday” and you held out, here it comes ten months later.

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Now, I’ve always had a soft area for “Holiday.” It hasn’t achieved quite the classic set as a couple of other Hepburn and Grant pairings–”The Philadelphia Anecdote” and “Bringing Up Baby”–but I actually reflect that works to its advantage. I might collect into concern for this, but I somewhat purchase this to the more antic “Bringing Up Baby” (Don’t shoot me, I know it’s a astronomical film too) .

Cary Grant plays a carefree soul that becomes engaged to a millionaire’s detestable, socialite daughter. He is expected to seize life more seriously and responsibly–but that’s not necessarily in his master concept. Grant, as always, is charming–the quips and physicality that were his trademark are primitive to obedient accomplish here. Katherine Hepburn, as the girl’s sister, is obviously a better match for him! Hepburn uses her speedy fire delivery and plays lustrous and wry better than anyone else in her era. Of course, Grant and Hepburn have huge chemistry and it’s a joy to stare these two masters banter. There’s plenty of slapstick, but section of “Holiday”’s charm is that it balances this with true romance. It’s comic and sweet.

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Any fan of Grant, Hepburn, director George Cukor, classics and/or screwball comedy needs to check this film out. It’ll acquire you smile. KGHarris, 10/06.

Katharine Hepburn made three films in a row with Cary Grant when she brought her career serve after being branded “Box Office Poison.” The pair had first made “Sylvia Scarlett” together in 1936, the unsuitable film where Hepburn’s character pretended to be a boy. In 1938 they made the classic screwball comedy “Bringing Up Baby” with director Howard Hawks and in 1940 Hepburn returned to stardom and Jimmy Stewart won an Oscar for “The Philadelphia Fable.” The latter had been a play specifically written for Hepburn by Philip Barry. In between these two classic films, #97 and #51 respectively on AFI’s Top 100 Film of all-time, Hepburn and Grant did “Holiday,” another film based on a Barry play. Hepburn had been the understudy for Hope Williams in the unusual 1928 Broadway production and it was the intention she picked up a glass in her conceal test of a scene from the play that inspired director George Cukor to cast the young actress in her debut film “A Bill of Divorcement.” Now, five years later, he would state her in the second movie version.

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The tale begins with us meeting Johnny Case (Grant), an inspiring young man with some keen ideas about life. At Lake Placid he met Julia Seton (Doris Nolan), fell in care for, and proposed to her. Coming to Modern York City to meet her family, he arrives at a mansion and is fearful to learn that his beloved is one of THE Setons. Julia’s father (Henry Kolker) is not positive what to contemplate of his daughter’s intended, but Julia’s rather unconventional sister, Linda (Hepburn) thinks Johnny is amazing. The dilemma is that Johnny’s tremendous view is to gain his fortune when he is young and then retire (i.e., go on a “holiday”), returning to work again when he gets older, which is heresy to mature man Seton. He and Julia will try to dispute Johnny the error of his ways, while Linda offers her succor. Helping to balance the odds for Johnny are his friends, Slash (Edward Everett Horton) and Susan Potter (Jean Dixon), the chief members of his fan club. Linda tries to retain Johnny and Julia together, but it seems she is the only one in the Seton household who appreciates Johnny on his absorb terms.

“Holiday” had been filmed in 1930 by Edward H. Griffith with Ann Harding as Linda, Mary Astor as Julia, and Robert Ames as Johnny. Edward Everett Horton played Slash Potter in that version as well, although his wife was played by Hedda Hopper. The screenplay for the 1938 version was done by Donald Ogden Stewart and Sidney Buchman, and it was primarily Stewart who punched up the script version of Barry’s revolt against the stuffed-shirts of the world with knowing and literate dialogue (Stewart had played the Prick Potter role on Broadway) . The result was that the production ended up with some nice ensemble work. Hepburn was under contract to RKO at the time, but bought herself out of her contract to do this film with Cukor at Columbia. Her performance was arguably the most simple and straightforward of any she had done in films up to that point, with all of the pretense and mannerisms stripped away, and the scene where she compares her angular face, with those celebrated cheekbones, to that of a toy giraffe, is one of the most endearing shots in her film career. Granted, “Holiday” is not going to ruin up on the AFI’s list of Top 100 Films like “Bringing Up Baby” and “The Philadelphia Fable,” but it is collected an appetizing, solid runt filme in which the two stars actually rep to do some acrobatics.
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Product: Resident Evil: Degeneration
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The Resident Spoiled series has become one of the top selling titles for video game company CAPCOM. Known in Japan as “Biohazard”, the series has sold over 34 million games and among the series, one of the most celebrated titles was the 1996 Sony Playstation game “Resident Injurious 2 which introduced us to the characters of Racoon City rookie police officer Leon Kennedy and Claire Redfield (sister of “Resident Disagreeable 1 hero Chris Redfield) .

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The two were favorite characters that fans enjoyed and in 2005, “Resident Contaminated 4 featuring Leon Kennedy became a gargantuan hit earning “Game of the Year” by various publications.

With the popularity of the character of Leon Kennedy, how fitting was it when CAPCOM announced the reuniting of both Leon and Claire. As a fan of the video game series, I was definitely aroused and couldn’t wait to scrutinize the film. “resident evil: DEGENERATION” takes station seven years after “Resident Irascible 2.

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VIDEO & AUDIO:

Picture quality is stunning pleasant. The film is entirely in CG and was created in Maya. The CG was well done but not as fluid as “Final Fantasy: Advent Children” but level-headed looked very impressive. The rendered character models were unprejudiced substantial to recognize at (especially at the beginning when you gaze the airport or even the WilPharm HQ. Both discover very realistic!) and Leon, Claire and Angela Miller model renders were fair very well done. If anything, there is exiguous jerkiness when it comes to a discontinuance up of a character and trying to obtain it do natural and realistic movements during a conversation. But during the action scenes, the movements were very nice and overall, the CG was very well done.

If anything, fans of the video games will more than likely be pleased these CG rendered scenes.

As for audio, the audio is featured in Dolby Digital 5.1 and during the action scenes (which there are many), sound does arrive alive and sounds very first-rate on my system. Dialogue is quite positive. As for the music, the ending theme “Guilty” is by Japanese music artist ANNA TSUCHIYA.

SPECIAL FEATURES:

The DVD features quite a few special features which include:

* The Generation of DEGENERATION featurette - This featurette interviews Makoto Kamiya and other CAPCOM staff and their goal with the film, why they old the valid English whine actors in terms of the motion grasp (including having them learn how to maintain a gun) and more behind-the-scenes footage on the creation of the film. Also, fan reaction at San Diego Droll Con.

* Character Profiles - Profiles feature a text blurb on each character and you can access a video or photography profile (from parts of the film) .

* Impart Bloopers - This is more or less bloopers but not determined if it was intentionally created or if it was valid bloopers. One featured Leon Kennedy telling the others about his “fee”. Quite humorous to see.

* Faux Leon Interview - I’m not quite positive what this feature was about. A man is interviewing one of the motion grasp actors and the actor is talking about working with Kamiya-san and others on the film.

* Resident Evil: Degeneration Trailers - Trailers for the film

* Resident Evil: Degeneration Tokyo Game Indicate Trailer - Tokyo Game Prove trailer

* Resident Wrong 5 Special Game Footage - Promotional video for the upcoming Playstation “Resident Deplorable” game.

* Resident Inferior 5 Game Trailers - Trailers for the upcoming Playstation 3 video game.

Let me first say that I am a broad fan of the “Resident Tainted” series and I contain nearly all the US releases. “Resident Nasty 2 really was innovative when it first was released for the Sony Playstation and was my accepted R.E. game until “Resident Base 4 was released and that video game was honest extraordinary.

So, that being said, watching this film had me smiling because I absolutely fancy both the characters of Leon Kennedy and Claire Redfield. How this film furthers the storyline of the two characters but also builds on definite situations that may have major ramifications for future video game releases is quite lively.

So, with that being said, I enjoyed the film because the creators really wanted to pay homage to “Resident Obnoxious 2 and “Resident Detestable 4 video game series and its fans. But I realize that many people who are not familiar with the video game series are wondering how the context of this film is to the live-action film series featuring Mila Jovovich.

There is a relation by name and of course, the virus that turns people to zombies but really, this film was created for the fans of the video game series in mind.

Also, with this being a video game-related film, many who crave a deep storyline with character development of who is Claire and who is Leon may feel disappointed. The reason why video gamers who played the video games is that through those video game moments of playing these characters for hours, there was a vested interest.

I would occupy that many viewers not familiar with the video game series won’t purchase up the importance of Claire or Leon to the true “Resident Inappropriate” storyline. In fact, some may wonder why they should care about these characters especially at the slay with the politics surrounding the viruses.

So, with that being said, “resident evil: DEGENERATION” is an awesome film for those who followed the video game series. The film features plenty of non-stop action, bloody violence courtesy to the zombies and you even accept a scene with blood that splatters on to the camera. But the enjoyment comes from those who had the experience of playing “Resident Inferior 2 and “Resident Corrupt 4 and to explore Claire and Leon again.

The CG looks mountainous and there are some moments that I was unprejudiced really in horror but at the same time, there are some movements that were jerky and robotic at times. But overall, the model renders were marvelous and Leon and Claire peer very suitable. So, the bottom line is that this film is unprejudiced total fan service for “Resident Substandard” video game fans. So considerable that I highly recommend this DVD.

For those who are not familiar with the video game series, you may savor it but if you are expecting a continuation of the live action films, then this DVD may not be for you. In fact, some may be disappointed because there is no strong location for them to truly savor these characters especially without playing the video games. So, I can understand if they don’t catch into it.

Again, if you are fans of the “Resident Ghastly” video games, you can’t attend but have a smile on your face because there is now a “Resident Sinister” film that was created with the RE video game fan in mind. And for that, I recommend this DVD for you!

I watched Degeneration in NY Dismay Film Festival. At first I didn’t query a lot from this movie, cause the live action trilogy is very disappointing and I objective didn’t dare to query it would be superb, but it is. If you’re an RE fan, it’s a must-see movie. You won’t be disappointed. Luckily the movie doesn’t focus on fighting zombies too remarkable. It is a drama/thriller. The movie successfully combines T & G-virus storyline fans are familiar with. Although not distinguished character development, you can devour the narrative. CG allotment in my thought is not as estimable as Final Fantasy. Characters’ facial expression is a shrimp stiff, and their “stares” are wearisome. Women notice like they had plastic surgery. But these are not serious problems, unbiased the technical parts they need to improve. Degeneration sage is worthy better than FF. After watching its premiere, I can’t wait to seize the DVD.
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Product: Laffapalooza! 3
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This is the best DVD from the Laffapalooza! series. Sheryl Underwood is substantial. Regain ready because she breaks it down and comes with the funk with opinions about Republicans, Terrorists, The war in Afghanistan and all kinds of other stuff. Exasperated TV’s Aries Spears’ performance is very laughable. Unbiased check out his impersonations. He’ll have you cracking up. I promise. Kenny Howell is silly as well. You’ll like his “Call Out A Dance,” routine. Unbiased win this DVD from the series and you won’t regret it. Don’t bother with the 1st, 2nd or 4th installments of this collection.
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Movie Title: IMAX: The Nature Collection
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IMAX: The Nature Collection is available for streaming or downloading.

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These IMAX videos are beautifully done. I show them on a Smart Board in my classroom and one feels as if they are right there where the action is taking place, on a smaller scale than at an IMAX theater of course. The videos are good for all ages (I teach first graders). They are beautiful and relaxing, and it’s nice to take a moment out of the bus”y”ness of life and relax to appreciate nature’s awesome beauty.

for the price it is a great set, just like the imax set that is a must own to get.
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]]> http://katharine353488.blogrunde.eu/2010/02/10/imax-the-nature-collection-movie-streaming/feed/ http://katharine353488.blogrunde.eu/2010/02/07/download-2010-the-year-we-make-contact/ http://katharine353488.blogrunde.eu/2010/02/07/download-2010-the-year-we-make-contact/#comments Sun, 07 Feb 2010 14:14:29 +0000 katharine353488 Nicht kategorisiert http://katharine353488.blogrunde.eu/2010/02/07/download-2010-the-year-we-make-contact/ Download 2010: The Year We Make Contact.

Product: 2010: The Year We Make Contact
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What everybody should know about 2010: It is not 2001! Sounds dead, but it explains about everything. 2010 is the continuation of the storyline of 2001, but it tells the anecdote in a completely different intention.

2001 was monotonous and restful. It was filled with emotions and impressions. 2010 offers the same but combines it with a far more inspiring site. On one hand it tells the account nine years after the Discovery Incident, as a team of russian and american scientists try to accumulate answers and on the other hand it explains the fate of Bowman and HAL 9000 … and ultimately of mankind.

The movie never gets dead and keeps you guessing until the demolish. The actors are profitable. The hangar scene between Floyd (Roy Scheider) and Bowman (Keir Dullea) alone is better than any other scene in 2001. The russian/american conflict may be a bit out of date (! ), but it never spoils the movies factual message.

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2010 is not better than 2001. It is different. It is the retort to a examine and the beginning of a novel one. You have to explore this film. And i also recommend the other two (book) sequels from Arthur C. Clarke (2061 and 3001) .

Once again, the unimaginative people responsible for doing transfers do an sinful transfer. Instead of using the standard DVD resolution of 720×480, they chose instead to consume something more like 640×427. Honestly, I don’t understand why they resolve to do it this plot, there should be plenty of room on the DVD, since they do the pan and scan version on the other side of the disc. I’ve urge into a few DVDs like this and it pissed me off every time.
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Product: Monster from the Ocean Floor
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Maybe I’m composed seeing this movie through the eleven year stale eyes I had in 1954, but I honest watched the tape today and to me it clear seems distinguished better than its reputation. It actually is a feminist film in that the character who motivates the action and has the most shroud time is the female lead. Apparently a tourist, she works alone to try to solve the mysterious disappearances of humans and animals off a coastal Mexican village, while receiving nothing but ridicule from her new-found marine biologist boyfriend. If sometimes she does seem to fetch startled a limited too easily, she snappy overcomes her fears and continues her quest. Eventually, she snags a portion of the monster on her boat anchor and mails it to her boyfriend and his colleague who have moved their research operation on down the hover. As they leer the sample, the boyfriend finally realizes there is a monster, and returns in time to rescue her, and his hero residence, with a desirable human-propelled diminutive submarine. Presumably they live happily ever after, but we know who’s going to be the go-getter in this family! By the arrangement, the monster, often referred to as a one-eyed octopus, is actually a giant amoeba created by that mature 50’s standby, radiation from an atomic bomb test.

MONSTER FROM THE OCEAN FLOOR stars Anne Kimball, Stuart Wade, Dick Pinner, Inez Palange, Jonathan Haze, and David Garcia.

This movie stars a strong female lead, who is fairly easy on the eyes without the obscenity of modern-bathing suits. Julie Blair, played by Anne Kimball, investigates stories of an underwater, single red-eyed, monster that is terrorizing a miniature Mexican community.

Steve Dunning (Stuart Wade), a marine biologist working in the cove provides the romantic interest. He pedals around a steady natty one-man mini-sub. Without giving away the ending, this fact will be considerable at the movie’s ending.

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A local witch influences one of the peasants to fabricate an attempt to sacrifice her, “the exquisite one,” as an appeasement to the monster. His haphazard attempts design us sympathetic to him in a movie that drags somewhat and where there is small vital action.

I read that this was Roger Corman’s first production, making it a must perceive for his fans and collectors. The director is Wyott Ordung who also appears as the superstitious Pablo in the movie. Roger Corman is in the movie, too, as Tommy. There is nothing on the box from RHINO or on the DVD to announce us this.

Kimball gives a worthy performance although the other actors often arrive off wooden and as if they are reading. The music is not poor and compliments the suspenseful water scenes. The one-eyed monster comes off cheap by today’s standards, maybe even by those in 1954, but it is composed rather smart with its one bulging contemplate. Unfortunately, we do not eye considerable of it. The underwater scenes with the monster dilapidated a puppet in an aquarium. The live sequences, with honest the swimmers and the sub was purported to be proper deep-sea footage. Usually such shots are done a few inches under water in someone’s pool.

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The RHINO DVD is a conventual pan/scan 1.33:1. There are no extras, impartial the movie and a few chapter divisions. The characterize is sparkling determined although the sound is below average. I had to turn my speakers diagram up. Fraction of the pickle rests with the new production. There is too considerable background noise and the constant blowing wind becomes a distraction.

In retrospect the peasant woman, really a witch who disavows the local padre for her old superstitions, comes across as a actual monster. However, she has slight hide time. Further, while the character played by Kimball incessantly seeks the monster, she goes out unarmed and passes out every time she sees it. While she has proof of her discovery at the waste, she goes succor into the water looking for it again, for no top-notch reason whatever. It simply provides the final spot for the movie’s quiet climax. The logic fails somewhat at this point.

Nevertheless, I like B-grade movies and this is a gorgeous one.

>No substandard language or blasphemy.

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>Conventional bathing suits, but no bikinis and no nudity.

>Light romance, but nothing lewd and no sexual situations.

>Light region violence.
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I appreciate Howard Hawks’ films…Bringing Up Baby, His Girl Friday, Red River, and Rio Bravo are astounding pieces of entertainment. As I was watching Australia, the original Baz Luhrmann movie with Hugh Jackman and Nicole Kidman, I kept thinking…man, Baz must really like Hawks’ movies, too.

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As evidenced by the films above, the mismatched couple who fight and fight until they realize they’re perfect for each other (look Distinguished Ado About Nothing, Taming of the Shrew, and Moonlighting as other examples of the earn) and the group of underestimated misfits who near together to fight inappropriate are two expansive elements broken-down again and again by Hawks. Throw in a bit of John Ford’s The Searchers and its hard view at racism leading to inhuman deeds and mix well and you have…Australia.

The pickle recent audiences may have with Luhrmann’s current movie is it’s very, very earnest. This is straight ahead narrative storytelling with its heart on its sleeve and hat and boots with never a wink to the crowd in the theater to say “ain’t these people quaint”. You either select in or you don’t. If you do, like I did, you’re in for a hell of a drag.

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This, I feel, is the flip-side to The Shadowy Knight. Fine and dismal are trapped in something akin to a battle and an embrace in Nolan’s Gotham City. You root for Batman, but he does stuff that is on the gross side of freedom and civil rights. The Joker is pure crazy, but he’s the most mesmerizing character in the film. In Australia, there are estimable guys and awful guys and you are either really profitable or twirl your mustache irascible. The main villain actually may be a bit too two-dimensional in that aspect, but it didn’t wound my overall enjoyment.

Why? Well, tale melodrama is hard to pull off…I’m talking about the precise stuff here. The new BBC production of Bleak House is a stout example. There are very pleasant and very, very awful people in that account, but the acting is so extraordinary you rarely if ever fetch yourself rolling your eyes (like whenever I’ve watched Smallville…see: awful sage melodrama) . Kidman and Jackman sell their characters…the displaced Englishwoman and the rough-hewn “Drover”. They are thrown together unprejudiced to, initially it seems, thwart a scandalous cattle baron from monopolizing the beef industry in the country. But the other tall legend, the main one in fact, centers around Australia’s “lost generation”. These were Aboriginal children who were fathered by white men who didn’t claim them. They were taken by the government, the mothers had no rights, and handed over to the church to be taught to “act white” and then work in the servant class. Nullah, played by the astounding child actor Brandon Walters, is one of these “creamies” who has been hidden on the ranch now owned by Lady Sarah Ashley (Kidman) . Lady Ashley discovers what is going on, is paralyzed by the law, and works to withhold him hidden as well. Why the Drover cares so powerful about Nullah becomes certain later in the film (no, it’s not what you reflect…that would be too easy) and Jackman’s experience with stage and musical work does him proud here. He can do earnest better than almost any actor alive when he needs to and his later employ of the f-word (the only curse I can remember from the entire film) hits so hard, in fair the upright emotional moment, that it kills. Russell Crowe was originally cast as the Drover but backed out. If Crowe had done the film, and I have liked him in other things…the Napoleon-era British navy film that I can’t remember the name of lawful now, it would not have worked. Crowe never loses that bit of edge and the Drover, at one point, really has to fully demolish down and become completely vulnerable. Jackman shines at that point.

Anyway…a warning, the movie is long 2 hours and 40something minutes, but I didn’t realize that until I had left the theater. I saw it alone…I was out of town at a pediatrics meeting…and that’s a gracious thing. I didn’t have to mask from Holly the few times the movie hit me a bit too hard and do that cough-throat clearing thing we dudes do to conceal up a stray flow.

I was looking forward to seeing this movie when it was release leisurely last year given all the hype, and was not dissappointed!

Director, Baz Luhman, has served up a slab of nostalgia ala Australian style with all those fair elements we adore from films of the 40’s and 50’s, breathtaking, sweeping landscapes, beautiful costumes and two blooming actors in Kidman and Jackman who find the essence of the film. It nostalgia in every sense of the word, in every frame. The acting style reminds us of Bogart, Grant, Bacall and Dunne. The tale is tale in every arrangement and unbiased resplendent. I loved the salute to “The Wizard of Oz”a really nice touch!

Of course we all know how it’s going to waste. Watching Australia was like eating a box of Quality Street chocolates. Obvious I know what I’m getting, but I collected cherish it.

For those of you who want to exercise a few hours (and I mean a few; it’s almost 3 hours) being completely entertained then thisis the movie for you. I only wished they had inserted an interval on it’s theatrical release and made the whole event at the movies a precise nostalgic experience.

I can’t imagine why anyone wouldn’t like this movie, unless you objective aren’t up for a feel beneficial describe. I want to peek more movies being made like this!!!! Well done to all!!!

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